I fell this morning while running with the dogs. I have no idea what happened, whether I tripped on a crack in the sidewalk or if I bumped the dogs or they bumped me, or maybe I just didn’t pick my foot up high enough. Whatever happened, I soared gracelessly through the air and landed flat. I had the sense to throw the leashes so that I didn’t entangle myself or, worse, land on the pups. I uttered a series of startled yelps as I went down, knees, thighs, thank God for tatas that cushioned the blow, hands scraping across the sidewalk as I tried to shield my face, though my left cheekbone bounced before it was over.
I laid still to collect my breath before picking myself up. Assessing the damage: dogs concerned but fine; no blood, and the only broken skin was on my right palm; no rips in my clothing. I decided I could work out the kinks on my way home. I even ran a little, though the dogs seemed less enthusiastic.
I’m sore already, and I cut the distance shorter than I’d intended, but I kept going. To quote Samuel Beckett, “I can’t go on. I’ll go on.”
I’ll decide in the morning whether I need a day off to recuperate, but even if I do, it’ll be one day. I’ll get back to it the next.
Because exercise and art are disciplines. We can have bad days. We can take literal and metaphorical falls. We can feel like we can’t go on. And we can choose to go on anyway.
Yesterday I had an all-around crap day. A family disagreement before I’d finished my coffee started things off poorly. I took myself to the gym and worked my body to distract my spinning mind; I tumbled headlong into a nap (joys of working from home); I took a call from a far-away friend; and I still felt blue.
In The War of Art, Steven Pressfield describes the resistance that intends to keep us from creating:
“First, unhappiness. We feel like hell. A low-grade misery pervades everything. We’re bored, we’re restless. We can’t get no satisfaction. There’s guilt but we can’t put our finger on the source. We want to go back to bed; we want to get up and party. We feel unloved and unlovable. We’re disgusted. We hate our lives. We hate ourselves” (31).
Yes, I’m emotional AF and that paragraph describes me yesterday to a T.
And still, I wrote. I worked on my personal projects because, for the time being, paid freelance writing work evades me (hence, the doubt: will I ever again get paid to do this thing I love? Maybe I suck. I do, I suck. Of course I suck. See how this goes?). Not having paid projects means I have time to work on my own stuff. As Pressfield also encourages: “Never forget: This very moment, we can change our lives” (22). And so I write.